An inventive and triumphant tribute to Hitchcock
The 39 Steps at Curve Theatre is a masterclass in inventive theatre, combining all the tropes of a classic thriller romance with the cheesy slapstick humour of a 1930s Hitchcock caricature.
Directed with flair and precision by Maria Aitken, the production showcases a small but mighty cast of four who seamlessly transition between an array of outlandish characters, often with nothing more than the flappy hats and coats that have become iconic in this adaptation.
The show is a triumphant homage to Hitchcock's filmography, complete with chiaroscuro lighting that beautifully mimics the aesthetic of 1930s cinema. The creative team’s attention to detail in replicating the look and feel of Hitchcock's world is evident, particularly in the clever use of lighting to create suspense and drama. The references to Hitchcock films are abundant and expertly woven into the narrative, offering a delightful treat for fans of the master of suspense.
Tom Byrne stands out as the sole actor in the show dedicated to a single character, while his fellow cast members energetically switch between multiple eccentric roles. His portrayal of Richard Hannay is delightfully reminiscent of Hugh Laurie's Prince George in Blackadder, bringing a charming and likable quality to the character.
One of the most impressive aspects of the production is the actors' ability to switch characters on a dime. This is achieved through repeated movements and the swift exchange of hats, coats, props, and complete transformations of posture and expression creating a dynamic and fluid performance. Character transitions are not only seamless but also a significant source of the play’s humour, as the cast’s quick changes add a layer of endearing comedic timing.
For instance, Safeena Ladha, portraying Pamela, Annabelle, and Margaret, delivers a mesmerising performance. She expertly balances comedic timing with the charm of a classic romantic lead.
The staging of The 39 Steps is creative, with inventive methods for changing scenes from one room to another. The use of dummies and other theatrical tricks are made good use of to add even more playfulness to the production.
A standout moment is the sequence where Hannay climbs through a window, executed with a combination of physical comedy and (non)technical prowess that is nothing short of brilliant.
Meanwhile, Eugene McCoy as Clown 1 showcases impeccable physical comedy, using distinctive mannerisms to differentiate his numerous characters. His hilarious walks become a defining feature, adding a unique flair to each role. Maddie Rice as Clown 2 excels with her masterful use of accents and exaggerated facial expressions, bringing a vibrant array of over-the-top characters to life.
Self-aware jokes layered throughout the script ensure the audience is always in on the fun with the actors themselves. This self-referential humour, combined with the slapstick elements, transforms The 39 Steps from a straightforward thriller into a joyous and hilarious parody.
See The 39 Steps at Curve until this Saturday, August 3.
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